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The 16th Century’s Bizarre Illusion Painter Is Slowly Making A Comeback

originally posted on: The Huffington Post by Katherine Brooks
November 4, 2014

Stare into a Giuseppe Arcimboldo painting, and you’ll find yourself gazing into a wormhole of bibelots and gimcrackery. Bits of household items mesh with teases of flora and fauna in strange yet eerily familiar configurations. Strange because of the pure randomness of the collaged pieces, familiar because the objects end up forming human faces. Where the optical illusion ends and the portrait begins is warped at every turn.

And keep in mind, his bizarre paintings were created in the 1500s, when Arcimboldo was a court portraitist who subverted the typical “royal likenesses” for portraits made from fruits, vegetables, rodents and sticks.

One particular royal who tolerated, and probably learned to enjoy Arcimboldo’s humorous technique was Holy Roman Emperor Rudolf II. In fact, the artist remained under the patronage of the Hapsburg family for 25 years, honing his “composite heads” along the way. While his work remained largely unseen for centuries after his death in 1593, Arcimboldo’s oeuvre is seeing something of a comeback in recent years.

The Smithsonian dubbed him “part scientist, part sycophant, part visionary” in 2011, shortly after a series of his works went on view at the National Gallery of Art in Washington, D.C. Contemporary artists have mimicked his techniques. Now a selection of his portraits are being displayed at Austria’s Kunsthistorisches Museum. “Arcimboldo: Rediscovered” is on view until February 15, 2015, showcasing two privately owned paintings (along with the Kunsthistorisches’ own Arcimboldo holdings) that illuminate his appreciation of Fauna.

This is the first time in history that both paintings, seen below, are on view for the public, first in Madrid and then in Vienna, where they were reunited for the first time in four centuries with the collection of Emperor Rudolf II. Dating back to 1589, the pieces show one nearly forgotten artist’s proclivity for earthly pleasures, an obsession that took a rather unlikely form for his time period. See snippets from the Kunsthistorisches Museum’s collection below and check out the slideshow beneath it for more pieces from Arcimboldo’s past.

Read the story at The Huffington Post

Photo: Giuseppe Arcimboldo, “Flora,” 1589, Oil on panel, 74,5 x 57,5 cm (excl. frame), Private collection © photograph: Fernando Ramajo

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